The earliest identifiably Christian art consists of a few 2nd-century wall and ceiling paintings in the Roman catacombs (underground burial chambers), which continued to be decorated in a sketchy style derived from Roman impressionism through the 4th century. They provide an important record of some aspects of the development of Christian subject matter. The earliest Christian iconography tended to be symbolic. A simple rendering of a fish was sufficient to allude to Christ. Bread and wine invoked the Eucharist. During the 3rd and 4th centuries, in the catacomb paintings and in other manifestations, Christians began to adapt familiar pagan prototypes to new meanings. The early figural representations of Christ, for instance, most often show him as the good shepherd by directly borrowing from a classical prototype. He was also sometimes depicted in the guise of familiar gods or heroes, such as Apollo or Orpheus. Only later, when the religion itself had achieved some measure of earthly power, did he take on more exalted attributes. Narratives tended at first to be typological, often suggesting parallels between the Old and New Testaments. The earliest scenes from the life of Christ to be depicted were the miracles. The Passion, particularly the Crucifixion itself, was generally avoided until the religion was well established. Youtube Christian Video
Until the adoption of Christianity by Constantine Christian art derived its style and much of its iconography from popular Roman art, but from this point grand Christian buildings built under imperial patronage brought a need for Christian versions of Roman elite and official art, of which mosaics in churches in Rome are the most prominent surviving examples. Christian art was caught up in, but did not originate, the shift in style from the classical tradition inherited from Ancient Greek art to a less realist and otherworldly hieratic style, the start of gothic art. Youtube Christian Video
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